Solid Playing by Pasadena Youth Symphony Orchestra

File foto - Pasadena Youth Symph violins 2009

REVIEW

 

For the past 37 years the Pasadena Symphony Association has sponsored a youth orchestra, the Pasadena Youth Symphony Orchestra and its training ground for younger players, the Wind Ensemble and the String Orchestra. Over the years the senior orchestra has garnered awards at numerous competitions and performances and has come to be recognized as one of the finest youth orchestras in Southern California. Based on its concert last Tuesday night at Pasadena High School, the group has reached an even higher plateau.
String Orchestra

The Wind Ensemble with students from grade six to nine is conducted by Ria Kubota; the String Orchestra, also training students from grade six to nine is led by Anna Lim; the senior group of high school age students, the Pasadena Youth Symphony Orchestra, is conducted by Jack Taylor.
At its Winter Concert, the Wind Ensemble opened the program with “Black Forest Overture, a piece by Michael Sweeney.  That was followed by “In Beak Midwinter” by Gustav Holst and “Crusade” by Vince Gassi, a Canadian composer and educator. Each number received a smooth reading that echoed the rather somber numbers. Ria Kubota held her student’s attention throughout and the students delivered for the music educator . Kubota is in her sixth year with the PYSO.
The String Orchestra opened with “Small Overture” by Mathews, “Santa at the Anna Lim conducts String OrchestraSymphony” by Mark Williams and the “Hallelujah” Chorus from Handel’s “Messiah” as arranged for student orchestra by Southern California composer Soon Hee Newbold. The 55-member String Orchestra under Anna Lim’s baton were exacting and serious but retained the humor of “Santa at the Symphony” which could just as well be called “Eine Kleine Jingle Bells” for its inclusion of famous symphony themes and traditional songs and favorite carols.
Taylor, now in his sixth year as Music Director of the Pasadena Symphony YouthCellos PYSO Orchestra, continued his practice of pushing his young musicians musically with a program that included works by Nicholas Rimsky-Korsakov, Claude Debussy, Giocmo Puccini, and Antonin Dvorak. Taylor led the group in the lively “Procession of the Nobles” from “Mlada” by Rimsky-Korsakov, the musical “Petite Suite” by Debussy, produced excellent ensemble playing in “I Crisantemi” (“The Chrysanthemums”) by Puccini, and kept his 86-member orchestra both controlled and measured in the Slavonic Dance No. 8 by PYSO Bass playerDvorak. Taylor went for a quality sound and he got it from his orchestra.
Taylor acknowledged the work of staff and coaches for their assistance with the student-orchestra. Taylor thanked sectional coaches Cheryl Scheidemantle, violin coach; Alex Chu, viola coach; Ryan Sweeney, cello coach; Stephen Pfeifer, bass coach; David Miller, wind coach; James Arnwine, brass coach; and Jon Earsly, percussion coach for their dedicated work.
Taylor, PYSO take a bow

Clay Campbell was introduced by the Pasadena Symphony Association’s CEO, Paul Jan Zdunek, as the newly appointed Director of Education and Community Engagement, replacing Jerri Price who has moved from the area.
According to Taylor, the Pasadena Youth Symphony Orchestra program serves some 170 students who come from over 50 area schools. The PYSo’s next concert will be held on Jan. 30, 2010 and will present Blue Steel, a rock-band ensemble that is part of the U.S. Air Force Academy Band in Colorado Springs, Co. That concert will also be at the Pasadena High School Auditorium as was their Winter concert.

By Bill Peters, Music Editor

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Posted by on Dec 12th, 2009 and filed under Reviews. You can follow any responses to this entry through the RSS 2.0. You can skip to the end and leave a response. Pinging is currently not allowed.

3 Responses for “Solid Playing by Pasadena Youth Symphony Orchestra”

  1. Anna Mae Schroeder says:

    What a pleasure it is to listen to these youth groups! The concert was delightful.

  2. Michael Sweeney says:

    This is the IU Michael Sweeney. Um . . .yeah I didn’t write Black Forest Overture. You must mean the Michael Sweeney who works at Hal Leonard. He’s been out of school for a few years . . .

    http://www.nysbda.org/Symposium2004/sweeney.html

  3. This is my daughter’s first year with the string ensemble and it just amazed us to hear how great these kids play.

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